Baroque Flute Pieces, Book II
Arranger: Dr. Richard Jones
Editor: Dr. Richard Jones
Price: £7.95
Grade(s)/Level(s): 3, 4, 5
Instrumentation: Flute, keyboard & continuo
Format: Sheet Music
Extent: 40 pages, Part(s): 16, 16
ISBN: 9781854727114
- attractive selection of 18th-century flute music, with all important composers represented
- contains much useful information for flute players, including ornament realizations, breathing suggestions and advice on tonguing
- notes accompanying each piece introduce the composers and often advise on dynamics and speeds
- separate, fingered continuo part allows the bass line to be doubled by a string player or for keyboard players to improvise their own accompaniment
Contents
- George Frideric Handel Adagio and Allegro from Sonata in D, HWV 378
- Leclair Adagio from Sonata in E minor, Op. 2 No. 1
- Jean Baptiste Loeillet Affettuoso from Sonata in D, Op. 5 No. 4
- Jean Baptiste Loeillet Allegro ma non trop[p]o from Sonata in E minor, Op. 3 No. 7
- Georg Philipp Telemann Aria 6: Tempo di Minuetto (from Partia No. 2 in GTWV 41:G2)
- Jean Hotteterre Gavotte La Maillebois from Pieces, Op. 2
- Roseingrave Largo and Presto from Sonata No. 4 in G minor
- Locatelli Largo from Sonata in A, Op. 2 No. 7
- Georg Philipp Telemann Lentement from Sonata in G, TWV 41:G11
- J. S. Bach Menuet 1 & 2 from Sonata in C, BWV 1033
- Stanley Menuet from Solo in E minor, Op. 4 No. 2
- Sammartini Minuet from Sonata in G, Op. 2 No. 1
- Roman Piva from Sonata No. 10 in E minor
- La Barre Rondeau L’Affligé from Pieces, Op. 4
- J. S. Bach Siciliana from Sonata in E flat, BWV 1031
Publication Date: 3rd August 1995
Associated Board syllabus information- Flute 2004-2007 Grade 4 A1
- Flute 2004-2007 Grade 4 A2
Reviews
Press reviews
‘This is a marvellous introduction to the music of the early and mid 18th century.’ Music Teacher - July 1997 ‘... excellent value for money and highly recommended.’ Music Teacher - July 1997 ‘Congratulations are due to ABRSM Publishing for its choice of editor and to Richard Jones for his skill in making these very practical anthologies.’ Early Music Today ‘They are attractively produced and designed ... the music is clearly printed and the excellent textual notes ... are in a typeface large enough to read but neat enough not to clutter or confuse the page.’ Early Music Today
