Jazz Piano Grade 4: The CD
Price: £7.62 (ex. VAT)
Instrumentation: CD
Format: Audio CD
ISBN: 9781860960130
- complete aural guide to the new Associated Board jazz piano syllabus
- presents all the pieces for the grade in performances containing sample improvisations at the level
- contains a sample set of aural tests and examples of quick studies and scales
- includes ‘minus one’ tracks of three of the graded pieces for you to play along with bass and drums
- kicks off with superb trio takes of three of the pieces for the grade
Series: Jazz Piano
Contents
- Theolonius Monk arr. Richard Michael, Charles Beale Blue Monk
- Theolonius Monk Blue Monk [Trio take]
- Liam Noble arr. Charles Beale Blues for Pete Johnson
- Wayne Shorter arr. Eddie Harvey, Charles Beale Footprints
- Miles Davis arr. Richard Michael, Charles Beale Freddie Freeloader
- Miles Davis arr. Richard Michael Freddie Freeloader [Minus one track]
- Chris Batchelor arr. Charles Beale Heading Home
- Chris Batchelor Heading Home [Minus one track]
- Duke Ellington, Harry James, Johnny Hodges, Don George arr. Michael Garrick, Charles Beale I’m Beginning to see the Light
- Duke Ellington, Harry James, Johnny Hodges, Don George I’m beginning to see the Light [Trio take]
- John Myhill arr. Charles Beale IKON (Memories of Ike)
- Phil Peskett arr. Charles Beale In a different Light
- Hoagy Carmichael, Sidney Arodin arr. John Myhill, Charles Beale Lazy River
- arr. Liam Noble, Charles Beale Nobody knows the Trouble I’ve seen
- Scott Joplin arr. Brian Priestley, Charles Beale Original Rags
- Charles Beale arr. Charles Beale Oscar’s Boogaloo
- Charles Beale arr. Charles Beale Shh!
- Charles Beale Shh! [Trio take]
- Bill Kinghorn arr. Charles Beale Three-Four Blues
- Charlie Shavers arr. Simon Woolf, Charles Beale Undecided
- Charlie Shavers arr. Simon Woolf Undecided [Minus one track]
Publication Date: 27th March 1998
Reviews
Press reviews
‘a comprehensive, intelligent, beautifully packaged presentation.’ Piano (UK 1998) ‘awe-inspiring in its thoroughness. ... Especially impressive in this series are the specific scales, aural skills and piano pieces - a pedagogical marvel that Americans would do well to emulate.’ Piano & Keyboard May/June 1999 (USA) ‘The new Associated Board jazz syllabus is not only timely for young and not so young Australian musicians now clamouring to know more about jazz - it is an attractive , well-thought through compilation of ‘real’ jazz knowledge that will get authentic results. Well done the Associated Board!’ Associate Professor Patrick Crichton, Head of Jazz Studies, Western Australian Conservatorium of Music ‘The arrival of the Associated Board’s jazz syllabus marks a vital step towards recognition that jazz requires study and discipline like any other art form.’ Stuart Nicholson, Author ‘Jazz Rock: a History’ and ‘Billie Holiday’ ‘The ABRSM’s syllabus is a very positive thing and I endorse it completely.’ Julian Joseph, British jazz pianist ‘A musical revolution that should make every jazz lover leap for joy.’ Peter Kingston, The Guardian



